salinea: (Default)
[personal profile] salinea
Pandora Heart



In a Victorian fantasy world, Oz is the young son of a rich noble family on the point of celebrating his ceremony of adulthood for his 15 birthday. Together with his little sister and his adoring servant / best friend Gilbert he explores the remote mansion before the ceremony occurs when he finds an old grave and a clock / musical box which trigger the vision of a young girl waiting all alone in a room filled with creepy toys who welcome him joyfully before trying to murder him. Later on, during the ceremony, a bunch of creepy guys in cloaks appear and send Oz to the Abyss, a parallel dimension of nightmares and demons called "Chains", for the crime of "existing". The girl, incidentally, is Alice, a Chain, and appears as well to defend him, because she claims him as her property.

Adapted from an unfinished shounen manga, Pandora Heart is a pretty good fantasy / mystery series filled with fascinating characters and dizzying revelation. The pacing for the most part is fast and entrancing, with decent storytelling but for the fact with the manga unfinished it offers no proper conclusion (always frustrating). The direction is a bit uneven, varying a lot from episodes to episodes from barely mediocre to pretty good. The animation and background art is only barely decent most of the time (with a few flash of excellent animation at random times), but the character design is pretty cool. The music, by Kajiura Yuki, is gorgeous as usual and helps setting up the gothic atmosphere.

The characters are the big draw, at least for myself as they fell very squarely into character types and relationship dynamics I really dig, and interpreted well enough they aren't mere cliches either.

Oz himself is pretty damn adorable. He's a easygoing and sunny child on surface, hiding father-related angst underneath his cheerfulness to the point of being creepily carefree at times (especially in the manga). He's caring and pretty smart (and the narrative uses his intelligence in cool way), self-destructive and sometimes a little bit cruel. Seldom have I liked some much a shounen manga lead. The rest of the cast is just as interesting.

cut for squeeing & vague spoilers of early episodes )

Pretty much everyone has a dark past / dark secrets they might not even remember, to the point that is far from believable, but who cares? It's part of the overall gothic-crackful atmosphere. There's a nice sense of the plot being driven by the interests of various sides in a way that is murky, complex and very intriguing, although at this point not enough of the plot has been revealed for me to know if it's all that coherent and consistent.

There's a big Alice in Wonderland motif of course, used to good effect for the atmosphere, as well as motifs related to time (lots of clocks) tied in interesting ways to memory and time manipulation thematics in the plot. And chains, lots of chains ♥. The thematics also address ideals of self-sacrifice and devotion in critical ways worked through the characterisation. I want to say the gender treatment is good, since it starts with such interesting gender role reversals and has a few other hints of similar stuff later on, but way too few of those are followed up, and, for example, despite the fact Alice is technically the most powerful character in a fight, she too seldom get to play it up, so it's a bit disappointing.

In conclusion, though it's little more than the latest shounen in the current trendy style, I found this series very much to my liking thanks to the interesting characterisations & dynamics. I'll keep following on the manga (which I caught up on right after I finished the anime) and as well as hoping for a second season of animation.

Simoun

Jan. 5th, 2010 06:08 pm
salinea: (Default)
[personal profile] salinea
Simoun



In a steampunk-ish world where everyone is born female and then picks a permanent sex when they are 17 years old; the country of the Simulacrum Theocracy is at war with most of its neighbours because other countries covet their monopoly on an ancient technology : the Simoun aircrafts . The Simoun, which the Theocracy worship as the Chariot of the God and the way to commune with their Tempus-Spatium deity, are the most agile and quick aircrafts there is, and when they trace patterns in the skies those can produce various powerful effects, including explosive ones. The Simoun are piloted by pairs of priestesses called Sibillae, which must be girls who haven't picked a sex yet (due to the war, the government has been letting girls beyond the age of 17 keep holding the office of Sibillae). The story follows a team of 12 Sibillae, their relationship with one another and how the war affects them.

Simoun has a lot of interesting elements : the world building is pretty intriguing, the genderfuck elements has a lot of appeal, and there are many mysteries loaded in the setting to hook us on. However the story didn't end up focussing on the real resolution of those mysteries in a way which I found very frustrating, and the overall storytelling is pretty bad from a plot aspect and contains many plot holes. The pacing is also very uneven, with a lot of time to way before action starts kicking at first. On the other hand, the characterisation and character development is where the storytelling shone. Despite the huge number of characters, the show was dedicated to explore and develop everyone of the 12 Sibillae as well as a number of secondary characters, and did so pretty well, if in a rather melodramatic way at times (they are teenagers after all). Eventually, as a coming of age story, it is a very good one, although as an action or as a mystery focussed one it is an utter failure. It is not much of a romance anime either, despite all the yuri flavours, with only one of the secondary romance being convincing and interesting.

Graphically, Simoun is very colourful, with gorgeous landscapes & architecture drawn lovingly in watercolours and the beautiful design of the Simoun and the way they fly. I'm less crazy of the character design which I found pretty silly and overdone, but at least the fact each girl has a different hair colour helps remembering who each one is, a helpful cue with such a huge cast of characters. The music is also pretty good, unique sounding in a way that fits the peculiarities of the setting.

The genderfuck elements, while very intriguing as a concept, wasn't explored enough for my taste and didn't seem to result into coherent or interesting effects on the setting. For example, they appear to have conservative gender roles and not picking a gender is seen as a very bad idea in the setting, which gives the anime some unfortunate implication message for genderqueers.

On the other hand, the thematic of the confusion between religion and war and the problems this causes, with the girls' role as priestesses and the fact they are being used for war is explored much more satisfyingly, with a lot of bitter-sweetness, painful realisation and conflict between characters.

Overall, I have very mixed feelings on Simoun, because I was very disappointed by the ending due to the lack of resolution other than character-wise, but, aside from the expectations I had build for it, what it does focus on it manages to execute pretty well.

Profile

abymage: (Default)
Etrangere's anime reviews

September 2011

S M T W T F S
    123
45678910
11121314151617
18 192021222324
252627282930 

Currently watching

- Legend of Galactic Heroes
- Katanagari
- Uraboku
- Senkou no Night Raid
- Madlax
- Welcome to the NHK
- Now and Then, Here and There
- Kaze no Yojimbo
- Arigatou Ghost Slayer Arashi
- Kara no Kyoukai
- Occult Academy
- Shiki
- Legend of Legendary Heroes


Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 4th, 2025 09:20 am
Powered by Dreamwidth Studios