Pandora Hearts
May. 5th, 2010 10:21 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
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abymagePandora Heart
In a Victorian fantasy world, Oz is the young son of a rich noble family on the point of celebrating his ceremony of adulthood for his 15 birthday. Together with his little sister and his adoring servant / best friend Gilbert he explores the remote mansion before the ceremony occurs when he finds an old grave and a clock / musical box which trigger the vision of a young girl waiting all alone in a room filled with creepy toys who welcome him joyfully before trying to murder him. Later on, during the ceremony, a bunch of creepy guys in cloaks appear and send Oz to the Abyss, a parallel dimension of nightmares and demons called "Chains", for the crime of "existing". The girl, incidentally, is Alice, a Chain, and appears as well to defend him, because she claims him as her property.
Adapted from an unfinished shounen manga, Pandora Heart is a pretty good fantasy / mystery series filled with fascinating characters and dizzying revelation. The pacing for the most part is fast and entrancing, with decent storytelling but for the fact with the manga unfinished it offers no proper conclusion (always frustrating). The direction is a bit uneven, varying a lot from episodes to episodes from barely mediocre to pretty good. The animation and background art is only barely decent most of the time (with a few flash of excellent animation at random times), but the character design is pretty cool. The music, by Kajiura Yuki, is gorgeous as usual and helps setting up the gothic atmosphere.
The characters are the big draw, at least for myself as they fell very squarely into character types and relationship dynamics I really dig, and interpreted well enough they aren't mere cliches either.
Oz himself is pretty damn adorable. He's a easygoing and sunny child on surface, hiding father-related angst underneath his cheerfulness to the point of being creepily carefree at times (especially in the manga). He's caring and pretty smart (and the narrative uses his intelligence in cool way), self-destructive and sometimes a little bit cruel. Seldom have I liked some much a shounen manga lead. The rest of the cast is just as interesting.
Alice, the Chain, is cocky, straight forward, violent, impulsive, lonely, possessive and hungry for life; and generally speaking is adorable as well. Her relationship with Oz, despite the whole murder-vision / calling him her property (two facts that already had me shipping them at the second episode), and the fact they have formed a sort of Faustian pact, is possibly the least dysfunctional of in this show. (This says a lot about relationships in this show and therefore why I loved it ^^). Gilbert is very timid and driven by his devotion to Oz to the point of co-dependency (and interestingly is addressed as such by the narrative at least in the manga) in contrast with his stoic badass appearance and attitude for a pretty moe result. Of course, Gilbert and Alice bicker pretty much endlessly because of their possessiveness of Oz, with a dark undercurrent (especially in the manga) as well as many adorable scenes.
In other words, OT3 ♥ Seriously, rec me fics any time you want.
To this main trio you can also add Break, the token mysterious manipulative ambiguous ally character who teases everyone; but remarkably shows quite a few frailties (for a character of that type) as well as awesomeness; and Sharon the young lady Break serves. Various other secondary and antagonistic characters are also fascinating and/or adorable, I'll stop squeeing now.
Pretty much everyone has a dark past / dark secrets they might not even remember, to the point that is far from believable, but who cares? It's part of the overall gothic-crackful atmosphere. There's a nice sense of the plot being driven by the interests of various sides in a way that is murky, complex and very intriguing, although at this point not enough of the plot has been revealed for me to know if it's all that coherent and consistent.
There's a big Alice in Wonderland motif of course, used to good effect for the atmosphere, as well as motifs related to time (lots of clocks) tied in interesting ways to memory and time manipulation thematics in the plot. And chains, lots of chains ♥. The thematics also address ideals of self-sacrifice and devotion in critical ways worked through the characterisation. I want to say the gender treatment is good, since it starts with such interesting gender role reversals and has a few other hints of similar stuff later on, but way too few of those are followed up, and, for example, despite the fact Alice is technically the most powerful character in a fight, she too seldom get to play it up, so it's a bit disappointing.
In conclusion, though it's little more than the latest shounen in the current trendy style, I found this series very much to my liking thanks to the interesting characterisations & dynamics. I'll keep following on the manga (which I caught up on right after I finished the anime) and as well as hoping for a second season of animation.
In a Victorian fantasy world, Oz is the young son of a rich noble family on the point of celebrating his ceremony of adulthood for his 15 birthday. Together with his little sister and his adoring servant / best friend Gilbert he explores the remote mansion before the ceremony occurs when he finds an old grave and a clock / musical box which trigger the vision of a young girl waiting all alone in a room filled with creepy toys who welcome him joyfully before trying to murder him. Later on, during the ceremony, a bunch of creepy guys in cloaks appear and send Oz to the Abyss, a parallel dimension of nightmares and demons called "Chains", for the crime of "existing". The girl, incidentally, is Alice, a Chain, and appears as well to defend him, because she claims him as her property.
Adapted from an unfinished shounen manga, Pandora Heart is a pretty good fantasy / mystery series filled with fascinating characters and dizzying revelation. The pacing for the most part is fast and entrancing, with decent storytelling but for the fact with the manga unfinished it offers no proper conclusion (always frustrating). The direction is a bit uneven, varying a lot from episodes to episodes from barely mediocre to pretty good. The animation and background art is only barely decent most of the time (with a few flash of excellent animation at random times), but the character design is pretty cool. The music, by Kajiura Yuki, is gorgeous as usual and helps setting up the gothic atmosphere.
The characters are the big draw, at least for myself as they fell very squarely into character types and relationship dynamics I really dig, and interpreted well enough they aren't mere cliches either.
Oz himself is pretty damn adorable. He's a easygoing and sunny child on surface, hiding father-related angst underneath his cheerfulness to the point of being creepily carefree at times (especially in the manga). He's caring and pretty smart (and the narrative uses his intelligence in cool way), self-destructive and sometimes a little bit cruel. Seldom have I liked some much a shounen manga lead. The rest of the cast is just as interesting.
Alice, the Chain, is cocky, straight forward, violent, impulsive, lonely, possessive and hungry for life; and generally speaking is adorable as well. Her relationship with Oz, despite the whole murder-vision / calling him her property (two facts that already had me shipping them at the second episode), and the fact they have formed a sort of Faustian pact, is possibly the least dysfunctional of in this show. (This says a lot about relationships in this show and therefore why I loved it ^^). Gilbert is very timid and driven by his devotion to Oz to the point of co-dependency (and interestingly is addressed as such by the narrative at least in the manga) in contrast with his stoic badass appearance and attitude for a pretty moe result. Of course, Gilbert and Alice bicker pretty much endlessly because of their possessiveness of Oz, with a dark undercurrent (especially in the manga) as well as many adorable scenes.
In other words, OT3 ♥ Seriously, rec me fics any time you want.
To this main trio you can also add Break, the token mysterious manipulative ambiguous ally character who teases everyone; but remarkably shows quite a few frailties (for a character of that type) as well as awesomeness; and Sharon the young lady Break serves. Various other secondary and antagonistic characters are also fascinating and/or adorable, I'll stop squeeing now.
Pretty much everyone has a dark past / dark secrets they might not even remember, to the point that is far from believable, but who cares? It's part of the overall gothic-crackful atmosphere. There's a nice sense of the plot being driven by the interests of various sides in a way that is murky, complex and very intriguing, although at this point not enough of the plot has been revealed for me to know if it's all that coherent and consistent.
There's a big Alice in Wonderland motif of course, used to good effect for the atmosphere, as well as motifs related to time (lots of clocks) tied in interesting ways to memory and time manipulation thematics in the plot. And chains, lots of chains ♥. The thematics also address ideals of self-sacrifice and devotion in critical ways worked through the characterisation. I want to say the gender treatment is good, since it starts with such interesting gender role reversals and has a few other hints of similar stuff later on, but way too few of those are followed up, and, for example, despite the fact Alice is technically the most powerful character in a fight, she too seldom get to play it up, so it's a bit disappointing.
In conclusion, though it's little more than the latest shounen in the current trendy style, I found this series very much to my liking thanks to the interesting characterisations & dynamics. I'll keep following on the manga (which I caught up on right after I finished the anime) and as well as hoping for a second season of animation.
