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Paranoia Agent

An epic-level mindfuck series by Kon Satoshi revolving around a pheonomenon ofa young boy nicknamed "Shounen Bat" randomly agressing people with a baseball bat, the investigation thereof, his victims, and a parallel phenomeon of enthousiasm for a cute pop character à la Hello Kitty whose designer was the first victim of Shounen Bat. Like all Kon Satoshi stories save perhaps Tokyo Godfather it features a lot of interesting mixing between fantasy and reality, and meta-ness. See the part where I said it was epic-level mindfuck.

Sadly the copy I've watched were borrowed japanese DVDs which just happened to have English subtitles but those subtitles were somewhat... lacking. I have seen worse, but they had a lot of typos, bad grammar, lines left untranslated for no reason at all, text appearing on screen almost never translated, etc. which in a series that's already pretty difficult to understand perfectly is a bit annoying. So yeah, I kinda regret not having simply watched some fansubs.

Otherwise Paranoia Agent is extremely fascinating. It does atmosphere perfectly, oscillating between cryptic, disturbing, cynical, morbidly creepy, morbidly funny and morbidly-I-don't-know-if-it's-funny-or-creepy-but-my-jaw-is-on-the-floor. It does a pretty good job of exploring various the rather big cast of character with pitiless examination. Add a very good graphism, animation and musical score, and it's certainly entertaining as well as brain-breaking, while dressing a rather depressing portray of Japanese society - or of people's neurosis in Japanese society. I also loved how the story focussed on not one person but on the way different people crossed the phenomenon, and i found the narrative modes picked by different independant episode very unique and brillant - I think my favourite was the episode focussing on the urban legends told by gossipning housewives.

Code Geass

TV Tropes wiki seemed to love this one, and the tropes involved made me think I should give it a try. I was right : I devoured one season and a half in two days.Then I watched it again with a friend and am slightly more critical. Not that I don't love it any less - the show hits fairly on quite a few of my favourite narrative kinks - but it's also fairly flawed in other ways.

In an alternate world where the empire of Brittania rules a good third of the world and invaded Japan 8 years ago, Lelouch, a young Brittanian student living in Area 11 - formerly called Japan - finding himself in the middle of a fight beween Japanese terrorist and the Brittanian army, meets a mysterious woman who gives him the power of geass which allows him to give an absolute order which must be obeyed to any person he meets the eye of. That's a good news for him : he's always planned to destroy the Brittanian empire, this power only makes it possible for him to move faster. The first step of his plan is to take over a Japanese terrorist group and work to liberate Area 11. Bad luck for him : his Japanese childhood friend Suzaku is working for the Brittanian army and is going to become an elite mecha pilot for them.

Code Geass aims at being a fan pleaser. It does so in various ways, cramming various genres together in a way that's not always wieldy : highschool hijinks, mecha battles, complicated plots & counterplots drama, harem-like fanservice. Despite this it holds itself pretty well together, with a good helping of a high threshold of suspension of disbelief and a fair resistance to fanservice abuse. It's very over the top, extremely DRAMATIC, occasionnaly quite subtle and clever, thankfully full of self-derision and never fails being entertaining.

On the plus side, as I've mentionned, it pushes some of my buttons :
The main character, Lelouch, is an adorable manipulative bastard. Between his pretty pretty CLAMP designed character, his reliance on complicated and twisted plotting, his fastidiousness and analytical mind, his love of DRAMA and chess metaphores, his evil overlord laugh and his genuine caring for the people close to him, he makes quite the fascinating anti hero. He reminds me much of a much younger Gerald Tarrant who hasn't learned to sacrifice as much yet but is well on his way to. He's a powerthirsty, ruthless revenge driven fiend yet angsts very prettily when he realises the not always foreseen consequences of his action. I've seen a lot of comparison to Light Yagami, and it does work as a comparison, but mostly for contrast. Lelouch sees just as big and is just as prompt to analyse the exact limits of his power and to exploit it to its utmost, but unlike Light he's not a sociopath - which I find much more appealing. (Also Lelouch has a power that's actually useful instead of somethign that forces him to see every problem like a nail!) Also, I love it when the show sets him up for mockery, and the show does it a lot.

The antagonistic relationship with Suzaku is the other point of appeal. Suzaku himself is pretty fascinating, quite a complex character and an excellent foil to Lelouch. Impulsive where Lelouch plans wheels within wheel, full of qualms where Lelouch is ruthless, physically able like Lelough isn't, willing to work from within the system that Lelouch wants to destroy, taking on a personna of a white knight where Lelouch sets himself up as a shadowy masked terrorist... and full of his own contradictions. Their friendship and its evolution as the fight gets more and more between them is very appealling.

Then there's the big screwed up Amber-like royal family of Brittania, huge, fucked up, full of infighing and caring and twistedness and all sporting purple eyes (perhaps they're a Taragaryen off shout;)). Yeah, I love this trope.

The alternate history that's the background of the world looks fascinating but is way underdevelopped in the anime itself - I learned most of it from the wikipedia instead. Still, it's definitly got an appeal and allows the show to explore ideas around themes of imperialism, nationalism, quite a few ballsy references to WW2 in a way that's surprisingly subtle. It's kinda funny to see a show where ethnicity matter to the characters involved yet they all look like polychromed haired anime characters to the audience. Appart from Lelouch (yes, he does get called on his mithey whitism) and Suzaku (yes, he does get called on his collaboration), there's Kallen a half-Brittanian half-Japanese who sides with fights with the Japanese yet passes for Brittanian in her day to day life, weapon support coming from India, in fighting between various revolutionary groups and many more. The morality play is never simplified and you sometimes get surprise character development even for villains (in one case posthumous).

The mandatory just as planned plot twist isn't always clever but is almost always fun to watch.

On the bad side, the show is riddled with fanservice in a way that is occasionnaly detrimental to the plot. There is a huge cast of character which is not always plot relevent as some characters seem to be only there to look pretty or moe, provide with comedy, or be the ubiquitous morality pet and source of angsty manpain. Female characters are especially treated badly : some of them are pretty cool (I'm very fond of badass strategist princess Cornelia and Euphemia for all that she is cringe inducing on first appearance is fairly well rounded, developped and plot relevent in her own character archetype niche and Kallen definitly has her appeal as well beyond the boobs) but they tend to be way too much used only to further male characters' story or just... to provide the fanservice.

Some of the plot devices are overused (amnesia I'm looking at you), and the parallels between s1 and s2 got old very, very fast. And yes, there is such a thing as too much cliffhangers.

So many characters and plot threads and it's sometimes overloaded. A lot of material isn't in the series itself but in drama episodes and book dramas or even elsewhere which I haven't managed to track yet.

For all of the flaws, I am hopelessly addicted. ♥

Nodame Cantabile

That would be the liveaction drama, not the anime. A friend showed me the first episode saying it was extremely silly and hillarious and I loved it right away. It's centered around a character whose dream is to become a musical orchestro conductor, yet is hindered by his phobia of flying when he should study abroad to get any far in his studies, and his relationship with a wacky eccentric and sloppy yet brillant piano player Nodame. It is extremely, extremely silly - sometimes not in a subtle or unproblematic ways (if you've got a squick for seeing a male character hit a female one even if it's done in manga comedy style, this is not for you); but also works very well at being adorable and tender. Then there's the musical score, which is awesome (great use of Gershwin).
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So Catie (Bless her ^^) recced Gankutsuou to me, so I watched it. She had promised to me it had nice slashiness and I would like it. She was totally RIGHT ! I loved it. Actually I cried. That makes... errr... two anime that makes me sob like a baby (not counting Graves of the Firefly, that'd make it three >_>; but it's cheating)

*cough*

Alright first, the aesthetics. It was absolutly lovely. I don't usually pay attention to this, because mostly I'm a story girl and I don't care if the art is lousy as long as the story is good, but in this case the graphism were gorgeous. They did this weird pattern imprit over flat surface that I found lovely. Sometimes it was a bit too much, but given it was XIXth century Paris (except in a futuristic way, but nevermind that, detailes, detailes...) we're talking, it was fitting perfectly with the baroque and over the top dramatics of the story.

For the uninitiated, Gankutsuou is an anime adaptation of the Count of Monte Cristo. Except in the year 5000 and a few. With a strange vengeance immortal spirit possessing the Count. And with Mecha, but not many of them (thankfully). Since Alexandre Dumas is the person who ought the least to complain about unfaithful adaptation (he lost that right when he made that quip about rapind History but to give it beautiful children) it works wonderfully well.

Anyway the story focussed principaly on Albert who balances between being the kind of moronic oblivious lambda anime hero you want to slap repetedly until he stops being so stupid, and being a lovable stubborn naive idiot.... errr well, I haven't made up my mind yet, but though he was on the verge of earning my hatred several times he never quite got it, as he meets the mysterious and wealthy Count of Monte Cristo and introduces him to the Parisian society, and his family. All of this works very well for the Count who is setting up a complicated and most cruel revenge upon the people who betrayed him twenty five years ago. *doom !*

Most of the characters are very likeable. I was totally under the charm of Franz and Eugenie. Franz because he kicks into my unrequitated love kink plus being so selfless, cheerful and earnest at the same time about it, and Eugenie by being a lovely garçonne with a vivid personnality without being as annoying as many female characters would be in that role. I also liked Haydée a lot (but I liked her before in the novel, so no surprise).
In general I absolutly adored the character designs, they fitted the characters perfectly from what I imagined in the books (of course I don't remember a lot from the novel, actually I still don't remember Eugénie at all from the novel, but what I did fitted perfectly) Especially Mercedes and Fernand.

The reproduction of the Parisian society was wonderful. Cruel, lively, proud, colourful, cynical, enthousiastic and ever so fickle. Some of the details made me laugh like the quick mention of the Queen (a quite famous gay night club on the Champs Elysée...) It serves as a great background for the dramatic tale of revenge unfolding.

The story in its adaptation is darker and more tragic than the one by Dumas. Overall, I like it better ^^ but so sad ;_; There's some weird stuff (like why the hell keep Caderousse when they don't do anything with the character ?) but it keeps you on the edge for the whole 24 episodes. I watched them all in two days because i couldn't stop myself (all right I had time too) ^^

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Etrangere's anime reviews

September 2011

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