salinea: (meh)
[personal profile] salinea
Bakemonogatari aka Ghostory



Highschool student Koyomi Araragi has already encountered the supernatural (callled "oddity" in this show) once or twice before, in particular he was a vampire for a while, he got better but it left him with a super capacity for healing and a contact with oddity specialist Oshino. So when he discovers that a girl in his class Senjougahara is literally light-weighted as a result of an encounter with an oddity as well, he proposes to help her by asking for Oshino's advice. Then he goes it again and again as various girls around him have similar problems.

This is going to be a tough review, not least because I watched most of it last year, thanks to the ending being broadcast as web OAV (OAW?) - but also because it's show I almost dropped once before getting convinced to pick it up again by the fanboys of RPG.net gushing about it. Bakemonogatari is on many levels so annoying, but it also have some qualities that make it (barely) watchable.

First there's the harem dynamic. Araragi is a pretty boring lead. He's ridiculously self-sacrificing but that's his only quality (?), he's insensitive, a geek, and a little bit of a loser in that boring way that so many show go for; and he's surrounded by girls who need his help and a more or less have a crush on him (even the lesbian among them banters with him in a sexual teasing kind of way). To his credit when backed into a corner, he improves greatly. There's a some gratuitous fanservice, some of which came across as fairly creepy. This is only slightly undermined by the fact that Senjougahara is a pretty unusual female lead : despite calling herself as a Tsundere she betrays the archetype in various ways:
One is by how her violence is portrayed : usually in shows that have a Tsundere character behave in violent way, that violence is portrayed in a comical way, frequently by going so over the top it goes into slapstick and absurd reach. Senjougahara's violence is extreme yet portrayed as scary. She mostly gets away with it because Araragi heals so fast and because after showing what she can do, she mostly resort to threats and mind games after that. And yet that violent character is still somewhat portrayed as seductive in a way.
The second one is that Senhougahara is mostly straightforward and honest with her feelings, after a few false starts, she right away confess to Araragi and ask to date him, as a result of which they hook up very early in the show. Really, I'd be tempted to call her a Yandere rather than a Tsundere character (I wonder if anyone would agree with me on that). Despite being the romantically aggressive character in their couple, I was disappointed by the fact Senjougahara mostly did it through objectifying herself instead of treating Araragi as sexually attractive to her.

The artistic direction is very idiosyncratic in the way SHAFT tend to do them. In some occasions it's strikingly beautiful, but in most of them I found it annoying; though I'm sure many other people would have mostly loved it. (I saw someone at a blog describe SHAFT's visual style as an "acquired taste" which I find amusing because as far as I'm concerned, it's the opposite : I loved the first show I watched in that style - Sayounara Zetsubou Sensei - found it dull the second time - Bakemonogatari - and now have come to disliking so much I could barely go through one episode of it - Arakawa under the bridge). There's a lot of close up on eyes, Araragi's emotive hair ahoge, random items, and wall of texts; for a result of a faintly surrealistic atmosphere. The surrealism is increased by the fact the world is literally empty of people asides from Araragi, Oshino and the girls, for a rather claustrophobic result.

The thing I actually liked a lot in the series was the treatment of the supernatural. Every oddities play up in a kind of punish way on the character's name, and everyone are a metaphor for some kind of psychological issues, usually a strong emotion that is being repressed. The treatment was usually pretty clever and interesting (though sometimes uneven), with some great moment of cathartic realisation. In general, the show had strong themes related to, as one of the best blogger on the show put it, inauthenticity and overcoming it. The storytelling overall had very good drama at the right points (with the exception of the Snake arc which was very underwhelming as well as having the creepiest fanservice).

The other thing that appeals is the cleverness of the writing, full of meta-ness, self-awareness and witty banter. While I didn't find those as amusing as many people seem to have, it was reasonably entertaining and funny. (Though so far I'm enjoying the adaptation of another novel by the same writer, Katanagari, much more in term of witty dialogues).

Overall Bakamonogatari is the sort of show that will appeal a lot to some people and repeal most others.



salinea: (just as planned)
[personal profile] salinea
Yojouhan Shinwa Taikei aka Tatami Galaxy



Our nameless protagonist (Watashi) is a student newly enrolled to a college in Kyoto as he picks a club to enter in, looking forward to a rose-coloured college life, filled with romance with a raven-haired beauty and other exciting accomplishments. Fast forward 2 years and he feels that his college life has been an utter waste of his precious youth. If only he hadn't been led astray by his best friend, the trickster-like and demonic-faced Ozu! If only he had picked a different club when he entered! So time rewinds to let him make another choice, and again, and again, and again. Always to a disappointing result. Yet opportunity is always hanging over him, waiting for him to pick it up.

Adapted from a novel (as in a serious, literary novel, not a light novel), Tatami Galaxy is a brilliant, inventive, quirky and resonant study of the unrealistic dreams and foiled expectations typical of young adults as they start their life in earnest. Served by a wildly imaginative visual style and a quick fire running commentary by Watashi; it produces an ironic atmosphere perfectly suited to its subject.

The visual is the most creative and interesting aspect of the series with some always entertaining, creative and surrealist ways of rendering the events, it is strikingly original and fluid. With Watashi's narration going on so fast, though, it is easy to miss details of the animation, but I wager the series bears several re-watch easily, especially given how many little details correlate with one another from one rewind to the other.

At first I feared the repetitive nature of the plot, with a feeling of little progression during the middle of the story, but that's when shit started kicking in a more interesting direction, building up to the truly amazing and exciting ending. Descending into greater magical realism it gave us a wonderful apotheosis of the thematics of the series.

The comedy works on a dark humour, surrealism and satire basis - and of course repetition gags - and while it's not really the kind that'll make you laugh out loudly, it's certainly efficient at creating the right atmosphere.



My biggest disappointment with the story was Watashi himself, who is the pretty typical socially awkward, kind of idealist, kind of cynical, mostly wishy-washy male loser character type you see in too many stories (both anime and others). I ran out of interest into those kinds of characters a long time ago. However since the narrative is especially there to criticise his hesitation, responsibility-fleeing, others-blaming and contradictions in order to build him up from there, I shall excuse this series (though it did take a while before it got there, due to the nature of the time-rewinding plot).

Thankfully, the rest of the cast is much more interesting. Ozu, the demonic best friend is remarkably entertaining, always up to untold mischiefs of various kinds that dynamise the story in a very trickster fashion (and not always unkindly though Watashi fails to notice it, of course). Akachi the love interest is also pretty damn awesome, a very cool-headed, intelligent and no-nonsense girl, member of the engineering club and with a phobia for moths. I wish we had spent more time exploring her character actually. The rest of the cast appear bits by bits, and is fairly high in colour and interesting as well. Despite all the rewinds, they remain true to themselves, though Watashi's always changing perspective on them depending on where he is gives them some surprising depth.

Thematically, Tatami Galaxy works really well, it puts us face to all the contradictions we have between what we dreamed of and what we accomplish, the little hypocrisies and cowardice; while capturing a sense of whimsy of college life and Kyoto's region evocatively. And for all the sardonic tone, it is strongly humanistic and optimistic to its core. It really makes the best use of of the motif of repetition and variation to highlight characters in both their failings and qualities.

An awesome and unique anime overall.
salinea: (Default)
[personal profile] salinea
I had promised... I forget if it was [personal profile] misstopia or [personal profile] haremstress, or both, a big rec post about SKU at some point; so there it is!

Revolutionary Girl Utena, aka Shoujo Kakumei Utena or SKU for short, is a series from the mid-nineties. It exists in both manga and anime form; and there also was an animated movie adaption made in 1999; but i mostly want to talk about the animated series which is, IMHO, the best and more interesting form the story takes. It was directed by Ikuhara, which at that point was mostly known for working a lot on Sailor Moon; and comports 39 episodes organised in 4 narrative arcs of unequal size.



The Story

Tenjou Utena is a 14 year old girl enrolled at the Ohtori Academy. When she was a young child and after just losing her parents, she remembers meeting a Prince who saved her and gave her a ring to remember him by. She was so impressed by him that she decided to herself become a Prince as well as cherishing the ring in the hope of meeting him again. Thus motivated, Utena grows up as an impressively athletic girl who values noble qualities and straightforwardness; and she always wears a male uniform in high school to the annoyance of her teacher and to the boosting of her popularity amongst other girls.
One day, in order to defend her best friend who just got her heart broken by a jerk, she ends up involved in a duel against a member of the Student School on a very weird duel arena that exists in the Forest behind the school and under an upside down castle floating in the sky. It just so happens that every members of the Student Council wear the exact same ring that was given to her by her Prince, which marks them as Duellists in an elaborate game organised by a mysterious letters writer naming themselves The End of the World where the Victor receive a young girl, Himemiya Anthy, as their Bride for as long as they keep winning; and has a shot at winning the vaguely defined Power to Revolutionise the World. By the way, the current Victor needs not bring a sword to the duel, they can just magically bring forth the Sword of Dios from inside the body of Anthy. Because Anthy is cruelly abused by her initial Victor, and appears to submit to it meekly as per the rules of the game, Utena ends up participating in those games in order to protect her as, one by one, each member of the Student Council challenge her.

Pics and lengthy review )

Profile

abymage: (Default)
Etrangere's anime reviews

September 2011

S M T W T F S
    123
45678910
11121314151617
18 192021222324
252627282930 

Currently watching

- Legend of Galactic Heroes
- Katanagari
- Uraboku
- Senkou no Night Raid
- Madlax
- Welcome to the NHK
- Now and Then, Here and There
- Kaze no Yojimbo
- Arigatou Ghost Slayer Arashi
- Kara no Kyoukai
- Occult Academy
- Shiki
- Legend of Legendary Heroes


Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 26th, 2017 02:36 pm
Powered by Dreamwidth Studios