Jul. 20th, 2010

salinea: (meh)
[personal profile] salinea
Bakemonogatari aka Ghostory



Highschool student Koyomi Araragi has already encountered the supernatural (callled "oddity" in this show) once or twice before, in particular he was a vampire for a while, he got better but it left him with a super capacity for healing and a contact with oddity specialist Oshino. So when he discovers that a girl in his class Senjougahara is literally light-weighted as a result of an encounter with an oddity as well, he proposes to help her by asking for Oshino's advice. Then he goes it again and again as various girls around him have similar problems.

This is going to be a tough review, not least because I watched most of it last year, thanks to the ending being broadcast as web OAV (OAW?) - but also because it's show I almost dropped once before getting convinced to pick it up again by the fanboys of RPG.net gushing about it. Bakemonogatari is on many levels so annoying, but it also have some qualities that make it (barely) watchable.

First there's the harem dynamic. Araragi is a pretty boring lead. He's ridiculously self-sacrificing but that's his only quality (?), he's insensitive, a geek, and a little bit of a loser in that boring way that so many show go for; and he's surrounded by girls who need his help and a more or less have a crush on him (even the lesbian among them banters with him in a sexual teasing kind of way). To his credit when backed into a corner, he improves greatly. There's a some gratuitous fanservice, some of which came across as fairly creepy. This is only slightly undermined by the fact that Senjougahara is a pretty unusual female lead : despite calling herself as a Tsundere she betrays the archetype in various ways:
One is by how her violence is portrayed : usually in shows that have a Tsundere character behave in violent way, that violence is portrayed in a comical way, frequently by going so over the top it goes into slapstick and absurd reach. Senjougahara's violence is extreme yet portrayed as scary. She mostly gets away with it because Araragi heals so fast and because after showing what she can do, she mostly resort to threats and mind games after that. And yet that violent character is still somewhat portrayed as seductive in a way.
The second one is that Senhougahara is mostly straightforward and honest with her feelings, after a few false starts, she right away confess to Araragi and ask to date him, as a result of which they hook up very early in the show. Really, I'd be tempted to call her a Yandere rather than a Tsundere character (I wonder if anyone would agree with me on that). Despite being the romantically aggressive character in their couple, I was disappointed by the fact Senjougahara mostly did it through objectifying herself instead of treating Araragi as sexually attractive to her.

The artistic direction is very idiosyncratic in the way SHAFT tend to do them. In some occasions it's strikingly beautiful, but in most of them I found it annoying; though I'm sure many other people would have mostly loved it. (I saw someone at a blog describe SHAFT's visual style as an "acquired taste" which I find amusing because as far as I'm concerned, it's the opposite : I loved the first show I watched in that style - Sayounara Zetsubou Sensei - found it dull the second time - Bakemonogatari - and now have come to disliking so much I could barely go through one episode of it - Arakawa under the bridge). There's a lot of close up on eyes, Araragi's emotive hair ahoge, random items, and wall of texts; for a result of a faintly surrealistic atmosphere. The surrealism is increased by the fact the world is literally empty of people asides from Araragi, Oshino and the girls, for a rather claustrophobic result.

The thing I actually liked a lot in the series was the treatment of the supernatural. Every oddities play up in a kind of punish way on the character's name, and everyone are a metaphor for some kind of psychological issues, usually a strong emotion that is being repressed. The treatment was usually pretty clever and interesting (though sometimes uneven), with some great moment of cathartic realisation. In general, the show had strong themes related to, as one of the best blogger on the show put it, inauthenticity and overcoming it. The storytelling overall had very good drama at the right points (with the exception of the Snake arc which was very underwhelming as well as having the creepiest fanservice).

The other thing that appeals is the cleverness of the writing, full of meta-ness, self-awareness and witty banter. While I didn't find those as amusing as many people seem to have, it was reasonably entertaining and funny. (Though so far I'm enjoying the adaptation of another novel by the same writer, Katanagari, much more in term of witty dialogues).

Overall Bakamonogatari is the sort of show that will appeal a lot to some people and repeal most others.



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